“the cut” begins after something has already ended.
It still vibrates in the air, and the body has not yet returned to regular time. Ecstasy, nausea, satisfaction, playfulness, and confusion linger within us. Something insists.
Together with composer Niko Ursin, dancers Alexandra Tveit and Marie Ursin explore what kind of space dance and sound can create when the world feels impenetrable and out of reach. Through relational choreography, they create space for sensibility and heightened presence. the cut emerges in the encounter – in a space where dance is not an ornament, but a way of inhabiting the present with intensity and openness.
It begins with a cut.
