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© Tove Dreiman
Performance | Testival | Theatre

Marthas Hus (postponed)

by Olof Runsten (SE)

 

Date

Time

Venue

Accessibility More information forthcoming

Postponed

This performance has been postponed due to positive but unforeseen circumstances affecting the production. A new date will be announced as soon as it has been confirmed. 

BIT’s brand-new studio turns into a haunted house

Welcome to Marthas Hus, a nightmarish haunted house, plagued by bourgeois love stories, expectations, and repetitions from times past. In this exorcistic baptism of fire you’ll meet the pathetic sadist Helmut and the jaded masochist Martha – a couple trapped in a destructive relationship where love becomes both compulsion and longing. With dark humour and cool unease, the work invites reflection and self-examination. Some stories survive only when trapped between four walls – as echoes from the past, ready to haunt future generations.

This theatre play is not only a tale of love’s darker sides, but also a politically charged commentary on our own time. The conservative wave shaping both global and Nordic societies appears as a ghost with poor taste and questionable family values. The performance explores how our own petty-bourgeois ideals – of dream homes, nuclear families, and control – can become suffocating, and asks: What happens when these ideals are taken to their extreme?

In the making of Marthas Hus theatre director and playwright Olof Runsten let himself be inspired by the highly regarded filmmaker Rainer Werner Fassbinder’s film Martha from 1974, American novelist Cornell Woolrich’s short story For the Rest of Her Life, and the concept of hauntology. Hauntology being the idea that ideals and dreams of the past never fully disappear but continually haunt the present. With samples and references from film, literature, and theory, the house becomes a space where the boundaries between reality and illusion are blurred.

Bio

Olof Runsten is a theatre director and playwright. His work is shaped by a strong audiovisual language and close collaborations with other artists. His productions are often constructed as series of images, edited together through blackouts, building meaning through accumulation. They move between suggestive situations, dread, and humour in unpredictable ways, and his work is often described as hypnotic. Recent works include Marthas Hus, Seasons, and Bergfiktioner. His latest work, Norma Jeane Baker of Troy, written by Anne Carson, premiered at Inkonst in 2025. Olof Runsten also runs the production platform Dramageddon. 

© Ekaterina Lukoshkova

Credits

Concept: Olof Runsten, Anna Ladegaard 
Direction, text: Olof Runsten 
Performers: Anna Ladegaard, Josephine Kylén Collins  
Music/Composition: Adde Huumonen 
Sound Design: Adde Huumonen 
Light Design: Christoffer Lloyd 
Video: Christoffer Lloyd 
Costume: Tove Dreiman 
Tailor: Frida Hamberg Stén
Props, make-up, scenography: Tove Dreiman  
Production, tour management: Dramageddon 

Original songs: Miracle of love and Love will save you by Swans

Supported by: Arts and Culture Norway, Konstnärsnämnden, The Fund for Performing Artists (FFUK), Audio and Visual Fund, Black Box Teater, Turteatern