Postponed
This performance has been postponed due to positive but unforeseen circumstances affecting the production. A new date will be announced as soon as it has been confirmed.
Date
Time
Venue
Date
Time
Venue
Date
Time
Venue
This performance has been postponed due to positive but unforeseen circumstances affecting the production. A new date will be announced as soon as it has been confirmed.
Welcome to Marthas Hus, a nightmarish haunted house, plagued by bourgeois love stories, expectations, and repetitions from times past. In this exorcistic baptism of fire you’ll meet the pathetic sadist Helmut and the jaded masochist Martha – a couple trapped in a destructive relationship where love becomes both compulsion and longing. With dark humour and cool unease, the work invites reflection and self-examination. Some stories survive only when trapped between four walls – as echoes from the past, ready to haunt future generations.
This theatre play is not only a tale of love’s darker sides, but also a politically charged commentary on our own time. The conservative wave shaping both global and Nordic societies appears as a ghost with poor taste and questionable family values. The performance explores how our own petty-bourgeois ideals – of dream homes, nuclear families, and control – can become suffocating, and asks: What happens when these ideals are taken to their extreme?
In the making of Marthas Hus theatre director and playwright Olof Runsten let himself be inspired by the highly regarded filmmaker Rainer Werner Fassbinder’s film Martha from 1974, American novelist Cornell Woolrich’s short story For the Rest of Her Life, and the concept of hauntology. Hauntology being the idea that ideals and dreams of the past never fully disappear but continually haunt the present. With samples and references from film, literature, and theory, the house becomes a space where the boundaries between reality and illusion are blurred.
Olof Runsten is a theatre director and playwright. His work is shaped by a strong audiovisual language and close collaborations with other artists. His productions are often constructed as series of images, edited together through blackouts, building meaning through accumulation. They move between suggestive situations, dread, and humour in unpredictable ways, and his work is often described as hypnotic. Recent works include Marthas Hus, Seasons, and Bergfiktioner. His latest work, Norma Jeane Baker of Troy, written by Anne Carson, premiered at Inkonst in 2025. Olof Runsten also runs the production platform Dramageddon.
Concept: Olof Runsten, Anna Ladegaard
Direction, text: Olof Runsten
Performers: Anna Ladegaard, Josephine Kylén Collins
Music/Composition: Adde Huumonen
Sound Design: Adde Huumonen
Light Design: Christoffer Lloyd
Video: Christoffer Lloyd
Costume: Tove Dreiman
Tailor: Frida Hamberg Stén
Props, make-up, scenography: Tove Dreiman
Production, tour management: Dramageddon
Original songs: Miracle of love and Love will save you by Swans
Supported by: Arts and Culture Norway, Konstnärsnämnden, The Fund for Performing Artists (FFUK), Audio and Visual Fund, Black Box Teater, Turteatern
This event is part of BIT’s TESTIVAL – our special autumn season for testing our new home, Sentralbadet Scenekunsthus. Although the venue’s official opening is in March 2027, we invite curious audiences to join us as we explore and try out our new home. Please note that changes and adjustments may occur at short notice.
Tickets go on sale in autumn.
We at BIT are pleased that our audience consists of diverse people; individuals with different experiences and corresponding unique needs.
Some of our visitors enjoy being surprised, shocked, and challenged, while others may wish to avoid certain content. We invite anyone who wants to know more about one of our events, regardless of what or why, to contact Jay at jay@bitteater.no or by calling +47 55 23 22 35.