{"id":2902,"date":"2024-10-14T12:05:53","date_gmt":"2024-10-14T10:05:53","guid":{"rendered":"https:\/\/bit-teatergarasjen.no\/?post_type=program&#038;p=2902"},"modified":"2024-10-18T11:30:43","modified_gmt":"2024-10-18T09:30:43","slug":"sound-piece-going-sideways-within-fractured-systems","status":"publish","type":"program","link":"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/","title":{"rendered":"SOUND PIECE &#8211; Going Sideways within Fractured Systems"},"content":{"rendered":"\n    <section class=\"hero transparent no-padding-top  no-profile\">\n        <div class=\"grid-12 wrapper full rg-50 rg-s-15\">\n            \n                             \n                    <div class=\"hero-image start-1 end-12 grid\"><div class=\"image-wrapper start-1 end-12\"><img decoding=\"async\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/10\/be9cc402-77b7-4a11-bfef-72aa417a8c83.jpg\" alt=\"\" \/><\/div><\/div>                        <\/div>\n    <\/section>\n\n\n\n    <section class=\"event-info section-padding\">\n        <div class=\"grid-12 wrapper side-padding rg-50\">\n            \n            <div class=\"section-header start-1 end-7 star-s-1 end-s-12 grid rg-20\">\n                Exhibition | Free | Oktoberdans 2024                <h1>SOUND PIECE &#8211; Going Sideways within Fractured Systems<\/h1>                            <\/div>\n            <div class=\"event-dates start-1 end-12 grid-12\">\n                              <div class=\"eventdate-fields start-1 grid rg-20 acs\">\n                                                              \n                                        <p class=\"date\">Date<\/p>\n                    <p class=\"time\">Time<\/p>\n                    <p class=\"place\">Venue<\/p>\n                <\/div>\n                <div class=\"eventdate-list start-2 end-12 start-s-1 end-s-12\">\n                    \n                        <ul class=\"dates grid-m-3 grid-s-1 grid-5 start-1 end-12 rg-60 rg-s-40\">\n                                                    <li class=\"col grid\">\n                                <div class=\"eventlist-info grid grid-s-6 rg-20 acs\">\n                                    <div class=\"eventdate-fields-mob start-s-1 grid rg-20 acs\">\n                                                                                  <p>&nbsp;<\/p>\n                                                                                <p>Date<\/p>\n                                        <p>Time<\/p>\n                                        <p>Venue<\/p>\n                                    <\/div>\n                                    <div class=\"start-s-2 end-s-6 grid rg-20 acs jcs\">\n                                                                                <p class=\"event-date\"><span class=\"event-day\">Wednesday 16.<\/span> <span class=\"event-month\">October<\/span> 2024<\/p>\n                                        <p class=\"event-time\">21:00 &#8211; <\/p>\n                                                                                    <p class=\"event-venue\">\n                                                                                            <a href=\"https:\/\/bitteater.no\/arenaer\/hordaland-kunstsenter\/\" target=\"_self\">Hordaland Kunstsenter caf\u00e9<\/a>                                                \n                                                                                        <\/p>\n                                                                                                                    <\/div>\n                                <\/div>\n                            <\/li>\n                                                <\/ul>\n                   \n                <\/div>\n                            <\/div>\n            <div class=\"event-accessability start-1 end-12\">\n                <a class=\"button rounded accessability\" href=\"\/ditt-besok\/tilgjengelighet\/\">Accessibility<\/a>\n                                   \n                    <span>Accessible with wheelchair<\/span>\n                                   \n                    <span>No blackout<\/span>\n                                   \n                    <span>No stage smoke or scents<\/span>\n                                   \n                    <span>No strobe lights<\/span>\n                                   \n                    <span>Seated or seating options<\/span>\n                                   \n                    <span>With English text\/speech<\/span>\n                            <\/div>\n        <\/div>\n    <\/section>\n\n\n\n\n    <section class=\"text-content section-padding-bottom transparent\">\n        <div class=\"grid-12 wrapper rg-50 rg-s-20 side-padding\">\n                                                    <div class=\"start-2 end-6  start-s-1 end-s-12 grid rg-20 standard acs\"><p>Going Sideways is a project that explores cultural production as a political and performative tool for care, resistance, and resilience amid funding cuts, censorship, and political fractures in Europe and its implication on transnational collaborations. <\/p>\n<p>We are currently experiencing a wave of funding cuts, cancellations, censorship, and political fractures in European contexts and its effect on transnational collaboration. Going Sideways is the aim to start a conversation on the current status quo of cultural production. The program invites situated visions and perspectives on the adaptation of strategies, to ensure a continuation of artistic practices and transnational collaboration despite the socio-political frameworks in European contexts.<br \/>\nWhat methods involving cooperation, resistance and resilience do we need or can we imagine to create cultural practices that are sustaining,  evolving, and interconnecting?<br \/>\nWhat kind of spaces for culture and artistic expression do we need that are representative of our social fabrics? <\/p>\n<\/div>\n                <div class=\"start-7 end-11  start-s-1 end-s-12 grid rg-20 standard acs\">\n                    <p>The project Going Sideways explores methods and tools of artistic expressions that emerge from the urgencies of the political present, from feminist, intersectional, queer, and anti-discriminatory practices. <\/p>\n<p>The project features two formats: a sound piece and a discursive event series.<br \/>\nThe soundpiece is a collage of voices from cultural practitioners, showcasing diverse perspectives in an installation at the festival center. <\/p>\n<p>The discursive event series includes workshops, a performative dinner, and embodiment practices, inviting the audience to explore alternative methods of cooperation, resistance, and care through different situated knowledges. <\/p>\n                                    <\/div>\n                                <\/div>\n    <\/section>\n\n\n\n\n    <section class=\"accordion section-padding-bottom\">\n                    <ul class=\"accordion wrapper full grid rg-10\">\n                            <li class=\"item wrapper full grid-12 rg-0\">\n                    <button class=\"title grid-12 start-3 end-10 start-s-2 ens-s-11\">\n                        <div class=\"start-1 end-12 grid-12 wrapper rg-30\">\n                            <div class=\"start-1 end-12\">\n                                Credits                            <\/div>\n                        <\/div>\n                    <\/button>\n                    <div class=\"content start-3 end-10  start-s-2 ens-s-11 grid\">\n                        <div class=\"grid-12 wrapper\">\n                            <div class=\"content-block start-1 end-12 grid-12\">\n                                                                    <div class=\"start-1 end-12 grid rg-15\">\n                                        <p>Event Participants: Natascha Nassir-Shahnian , Alessandra Pomarico, Saula Garcia Lopes (aka La Saula), Bek Berger.<\/p>\n<p>Installation<br \/>\nVoices: Alessandra Pomarico, Bek Berger, Emmanuel Ndefo, Karoline Skuseth, Lena Kollender, Nikhil Vettukatil, Pankaj Tiwari, Sibonigle Oageng Msimango.<br \/>\nSounddesign: Alina Anufrienko<br \/>\nProject Support: Sophia Kuehle<br \/>\nCuration: Epona Hamdan, Danja Burchard<\/p>\n<p>Curated by Epona Hamdan and Danja Burchard, Going Sideways is co-produced by BIT Teatergarasjen with support from the Norwegian Ministry of Culture and Vestland Fylkeskommune.<\/p>\n                                    <\/div>\n                                                            <\/div>\n                                                    <\/div>\n                    <\/div>\n                    \n                <\/li>\n                            <li class=\"item wrapper full grid-12 rg-0\">\n                    <button class=\"title grid-12 start-3 end-10 start-s-2 ens-s-11\">\n                        <div class=\"start-1 end-12 grid-12 wrapper rg-30\">\n                            <div class=\"start-1 end-12\">\n                                BIOS                            <\/div>\n                        <\/div>\n                    <\/button>\n                    <div class=\"content start-3 end-10  start-s-2 ens-s-11 grid\">\n                        <div class=\"grid-12 wrapper\">\n                            <div class=\"content-block start-1 end-12 grid-12\">\n                                                                    <div class=\"start-1 end-12 grid rg-15\">\n                                        <p><strong>Alessandra Pomarico<\/strong><br \/>\nAlessandra Pomarico is a curator, writer, and educator at the intersection of arts, pedagogy, and community building. Co-founder of Ecoversities Alliance; of the artistic and pedagogic initiative Free Home Universit since 2013 , and of the radio platform Firefly Frequencies. Recent projects are The School of the We, The New Alphabet School, and Seeding~Grounding. Editor at artseverywhere.ca, she edited Pedagogies Otherwise; What\u2019s there to learn; and When the Roots Start Moving, Resonating with Zapatismo (Archive Books 2021). Upcoming publications include The School of the We Workbook, and Unlearning and Uplearning: Free Home University at 10.<\/p>\n<p><strong>Bek Berger <\/strong><br \/>\nBek Berger (b. 1988) is an artist, curator and dramaturg originally from Australia, based now between Berlin and Riga, where from 2020 to 2024, she was curator of the International Festival of Contemporary Theatre, Homo Novus. Bek\u2019s practice binds curiosity with innovation in order to design new models of connection, collaboration and reciprocity between artists and communities, across borders and art forms. Her expertise lies between festival making, dance dramaturgy and karaoke. In the last years she has instigated a number of large international collaborations such as Baltic Take Over Helsinki (LV, LT, EE, FI), The Shake Down with Rosendal Theatre (LV, NO), The Festivals Path with ANTI festival (LV, FI). As an artist she is currently concerned with exploiting magic, making new conditions for togetherness and improving the performing arts with pleasure centered design.<\/p>\n<p><strong>Pankaj Tiwari<\/strong> is a contemporary artist, performance maker, and Curator from Balrampur, India, currently based in Amsterdam. His works bring Eastern perspectives into the Western discourse on sociopolitical issues. Sustainability and connection to the East are some defining topics in his work. In the past and present, Pankaj\u2019s works have been invited and supported by multiple festivals and production houses. A few of them include DESINGEL, Antwerp (23, 24) Grand Theater Groningen (24, 23, 20), Kaaitheater (24), Holland Festival (23), Belluard Bollwerk, Fribourg (23), wpZimmer, Antwerp (23), Z\u00fcrcher Theatre Spektakel, Z\u00fcrich (20 &#038; 23), radialsystem Berlin, (22), Santarcangelo Festival, Italy (20 &#038; 21), performingborderslive UK (20), Grand Theatre, Groningen (20,23) etc.<\/p>\n<p><strong>Emmanuel Ndefo<\/strong> (b. 1991, Kano, Nigeria) is a performance artist who uses his body as a tool to explore contemporary conversations, focusing on the metaphor of &#8220;Hacking&#8221; the human body as a network. His work, rooted in dance, performance, and installation, draws from both formal dance research and traditional African rituals, as well as urban dance styles like hip-hop and krump.<br \/>\nNdefo has received the African No Filter Storytellers Fund (2021) and the ACCR Odyss\u00e9e Artist Grant (2022). He has performed and exhibited at institutions including Tate Modern, Berlin Biennale, and Kampnagel Hamburg. Notable works include &#8220;Traces of Ecstasy&#8221; and &#8220;The Passage.&#8221;<\/p>\n<p><strong>Sibongile Oageng Khaveni Msimango<\/strong> is a Daughter, Sister, Rakgadi, Yoga Instructor and Practitioner. She is an arts researcher, arts administrator and cultural practitioner focusing on writing, translation, curation, public programming and urban practices. Her work looks at the role of archives and language in shaping collective consciousness, the possibilities of creative production and circular economies in the urban environment as well as artistic research on structures and systems that govern cultural activity in African capital cities.<\/p>\n<p><strong>Nikhil Vettukattil<\/strong> is an artist living and working in Oslo. Using a range of media such as sound, installation, performance, text, sculpture, and video, their practice questions modes of representation and image-making processes in their relation to lived experiences. They studied at Central St. Martins in London and the Center for Research in Modern European Philosophy (CRMEP). Recent exhibitions include Hothouse Flowers, Podium, Oslo (2024), Postproduction, Studiengalerie 1.357 Goethe University, Frankfurt (2023), Contaminators (with Halvor R\u00f8nning), FELIX GAUDLITZ, Vienna (2023) and Claustrophobia Alpina III, Ford, Geneva (2023). They are a founding member of. The Institute for Scene Experiments. Forthcoming solo presentations include Oslo Kunstforening, Oslo, Arcadia Missa, London and AGIT, Berlin.<\/p>\n<p><strong>Lena Kollender <\/strong><br \/>\nLena Kollender is a dramaturg and curator. Since the beginning of 2022 she has been working at Sophiens\u00e6len Berlin, where she is responsible for local performance and theater productions and international programming. Between 2013 and 2021, she worked for the Kampnagel International Summer Festival in Hamburg as a program curator and dramaturg for international co-productions and discourse programs.<\/p>\n<p><strong>Karoline Skuseth<\/strong> (b. 1983) is a curator at BIT Teatergarasjen, where she has been responsible for discourse since 2011. A graduate of the University of Bergen and the Institut f\u00fcr Angewandte Theaterwissenschaft in Giessen, her work centers on the political potential of the performing arts, exploring how they can challenge societal power structures. With extensive experience as a critic, moderator, and writer, Skuseth is dedicated to amplifying voices and bodies that are often marginalized in mainstream spaces. She has held several board positions within the performing arts and is a co-founder and member of the artist collective Walk of Shame (2012\u2013present) and the punk band Scampi Chips Dip &#038; Campari (2007\u2013present).<\/p>\n<p><strong>Alina Anufrienko<\/strong> is a non-binary composer, sound researcher, and cellist from Omsk, Siberia. They have collaborated with Moscow\u2019s Teatr.doc, the Gulag Museum, and the now-banned Novaya Gazeta. In 2022, Alina founded the Laboratory of Documentary Music, exploring the intersection of music and documentary art forms. Fleeing Russia due to the Ukraine invasion and LGBTQ+ repression, they secured a humanitarian visa and became an artist in exile.<br \/>\nIn 2023, Alina composed Exile Promenade, premiering at the Berliner Festspiele, and created Resist and Love, debuting at the Eclat Festival Neue Musik. Their work often explores resistance, memory, identity, and LGBTQ+ activism. Based in Berlin, Alina continues to collaborate with diverse artists, using art as a means of societal dialogue, resistance, and healing.<\/p>\n                                    <\/div>\n                                                            <\/div>\n                                                    <\/div>\n                    <\/div>\n                    \n                <\/li>\n                        <\/ul>\n              \n    <\/section>\n\n\n\n\n\n\n  <section class=\"event-list section-padding transparent\">\n    <div class=\"grid-12 wrapper rg-50 side-padding\">\n           \n      \n\n      <div class=\"events-container start-1 end-12 grid-2 grid-m-1 grid-s-1 rg-40 cg-m-0 cg-s-0\">\n        \n\n        \n            <a class=\"event-box start-s-1 start-m-1 grid-2 grid-s-1 rg-s-0 cg-0 row no-profile\" href=\"https:\/\/bitteater.no\/en\/program\/discourse-going-sideways-with-danja-burchard-epona-hamdan-de\/\" target=\"_self\">\n                    <div class=\"event-box-image\"><div class=\"image-wrapper\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"623\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways-650x623.jpg\" class=\"attachment-event-thumb-large size-event-thumb-large\" alt=\"\" srcset=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways-650x623.jpg 650w, https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways-500x479.jpg 500w, https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways-320x307.jpg 320w, https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways-720x690.jpg 720w, https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways.jpg 822w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/div><\/div>\n                <div class=\"event-box-info light-purple grid rg-20\">\n                    <div class=\"event-category\">Discourse | Free | Oktoberdans 2024<\/div>\n                    <div class=\"event-title\">\n                        <h3>Going Sideways with Danja Burchard and Epona Hamdan<\/h3>\n                        \n                    <\/div>\n                    <div class=\"event-info\">\n                        <span class=\"event-date\">18.  &#8211;  19.  October<\/span><br \/>\n                       <span class=\"event-venue\">Hordaland Kunstsenter<\/span>\n                    <\/div>\n                    <div class=\"event-cta\">\n                        <span class=\"button\">More information<\/span>\n                    <\/div>\n                <\/div>\n            <\/a>\n                  <\/div>\n    <\/div>\n  <\/section>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":3032,"template":"","event_category":[67,62,72],"event_venue":[81],"accessibility":[101,98,99,80,90,100],"class_list":["post-2902","program","type-program","status-publish","has-post-thumbnail","hentry","event_category-exhibition","event_category-free","event_category-oktoberdans2024-en","event_venue-hordaland-kunstsenter-en","accessibility-accessible-with-wheelchair","accessibility-no-blackout","accessibility-no-stage-smoke-or-scents","accessibility-no-strobe-lights","accessibility-seated","accessibility-with-english-text-speech"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SOUND PIECE - Going Sideways within Fractured Systems - Bergen Internasjonale Teater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SOUND PIECE - Going Sideways within Fractured Systems - Bergen Internasjonale Teater\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/\" \/>\n<meta property=\"og:site_name\" content=\"Bergen Internasjonale Teater\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-18T09:30:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways2-e1729162878496.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/\",\"url\":\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/\",\"name\":\"SOUND PIECE - Going Sideways within Fractured Systems - Bergen Internasjonale Teater\",\"isPartOf\":{\"@id\":\"https:\/\/bitteater.no\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways2-e1729162878496.jpg\",\"datePublished\":\"2024-10-14T10:05:53+00:00\",\"dateModified\":\"2024-10-18T09:30:43+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/#primaryimage\",\"url\":\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways2-e1729162878496.jpg\",\"contentUrl\":\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sideways2-e1729162878496.jpg\",\"width\":1080,\"height\":1080},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/bitteater.no\/en\/program\/sound-piece-going-sideways-within-fractured-systems\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Forside\",\"item\":\"https:\/\/bitteater.no\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"SOUND PIECE &#8211; 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