{"id":1744,"date":"2024-09-11T11:52:10","date_gmt":"2024-09-11T09:52:10","guid":{"rendered":"https:\/\/bit-teatergarasjen.dev.kodeks.no\/program\/proverommet\/"},"modified":"2024-10-21T18:44:41","modified_gmt":"2024-10-21T16:44:41","slug":"proverommet","status":"publish","type":"program","link":"https:\/\/bitteater.no\/en\/program\/proverommet\/","title":{"rendered":"Pr\u00f8verommet at Hordaland Kunstsenter"},"content":{"rendered":"\n    <section class=\"hero transparent   no-profile\">\n        <div class=\"grid-12 wrapper side-padding rg-50 rg-s-15\">\n            \n                                                                        <div class=\"hero-image start-3 end-10 start-m-2 end-m-11 start-s-1 end-s-12 grid\">\n                            <div class=\"swiper slider-container start-1 end-12\">\n                                <div class=\"swiper-wrapper\">\n                                                                    <div class=\"swiper-slide\">\n                                      <div class=\"image-wrapper\">\n                                        <img decoding=\"async\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Proverommet-v2-1920x960.jpg\" alt=\"\" \/> \n                                      <\/div>\n                                                                          <\/div>\n                                   \n                                                                    <div class=\"swiper-slide\">\n                                      <div class=\"image-wrapper\">\n                                        <img decoding=\"async\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Beate.jpg\" alt=\"\" \/> \n                                      <\/div>\n                                      <div class=\"image-caption image-text\">&#039;Snail Highway&#039; by Beate Poik\u0101ne<\/div>                                    <\/div>\n                                   \n                                                                    <div class=\"swiper-slide\">\n                                      <div class=\"image-wrapper\">\n                                        <img decoding=\"async\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Yelena.jpg\" alt=\"\" \/> \n                                      <\/div>\n                                      <div class=\"image-caption image-text\">&#039;Crocodile, I like the way my nails look at me&#039; by Yelena Arakelow <\/div>                                    <\/div>\n                                   \n                                                                    <div class=\"swiper-slide\">\n                                      <div class=\"image-wrapper\">\n                                        <img decoding=\"async\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Sara.jpg\" alt=\"\" \/> \n                                      <\/div>\n                                      <div class=\"image-caption image-text\">Sara Abbasnejad (still from her Zar ritual film project)<\/div>                                    <\/div>\n                                   \n                                                                    <div class=\"swiper-slide\">\n                                      <div class=\"image-wrapper\">\n                                        <img decoding=\"async\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Otto-and-Uma.jpg\" alt=\"\" \/> \n                                      <\/div>\n                                      <div class=\"image-caption image-text\">Otto and Uma Ramstad<\/div>                                    <\/div>\n                                   \n                                                                    <div class=\"swiper-slide\">\n                                      <div class=\"image-wrapper\">\n                                        <img decoding=\"async\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Marta.jpg\" alt=\"\" \/> \n                                      <\/div>\n                                      <div class=\"image-caption image-text\">&#039;Material Landscapes of Impermanence&#039; by Marta Kosieradzka<\/div>                                    <\/div>\n                                   \n                                                                    <div class=\"swiper-slide\">\n                                      <div class=\"image-wrapper\">\n                                        <img decoding=\"async\" src=\"https:\/\/bitteater.no\/wp-content\/uploads\/2024\/09\/Maria-Victoria.jpg\" alt=\"\" \/> \n                                      <\/div>\n                                      <div class=\"image-caption image-text\">&#039;Lila sol&#039; by Maria Victoria H\u00f8vring H\u00f8eg (still from film by David Alr\u00e6k)<\/div>                                    <\/div>\n                                   \n                                                                <\/div>\n                                <div class=\"swiper-pagination\"><\/div>\n\n                                <div class=\"swiper-button-prev\"><\/div>\n                                <div class=\"swiper-button-next\"><\/div>\n                            <\/div>\n                            \n                        <\/div>\n                                            <\/div>\n    <\/section>\n\n\n\n    <section class=\"event-info section-padding\">\n        <div class=\"grid-12 wrapper side-padding rg-50\">\n            \n            <div class=\"section-header start-1 end-7 star-s-1 end-s-12 grid rg-20\">\n                Oktoberdans 2024 | Pr\u00f8verommet                <h1>Pr\u00f8verommet at Hordaland Kunstsenter<\/h1>                            <\/div>\n            <div class=\"event-dates start-1 end-12 grid-12\">\n                              <div class=\"eventdate-fields start-1 grid rg-20 acs\">\n                                                              \n                                        <p class=\"date\">Date<\/p>\n                    <p class=\"time\">Time<\/p>\n                    <p class=\"place\">Venue<\/p>\n                <\/div>\n                <div class=\"eventdate-list start-2 end-12 start-s-1 end-s-12\">\n                    \n                        <ul class=\"dates grid-m-3 grid-s-1 grid-5 start-1 end-12 rg-60 rg-s-40\">\n                                                    <li class=\"col grid\">\n                                <div class=\"eventlist-info grid grid-s-6 rg-20 acs\">\n                                    <div class=\"eventdate-fields-mob start-s-1 grid rg-20 acs\">\n                                                                                  <p>&nbsp;<\/p>\n                                                                                <p>Date<\/p>\n                                        <p>Time<\/p>\n                                        <p>Venue<\/p>\n                                    <\/div>\n                                    <div class=\"start-s-2 end-s-6 grid rg-20 acs jcs\">\n                                                                                <p class=\"event-date\"><span class=\"event-day\">Monday 21.<\/span> <span class=\"event-month\">October<\/span> 2024<\/p>\n                                        <p class=\"event-time\">19:00 &#8211; 22:00<\/p>\n                                                                                    <p class=\"event-venue\">\n                                                                                            <a href=\"https:\/\/bitteater.no\/arenaer\/hordaland-kunstsenter\/\" target=\"_self\">Hordaland Kunstsenter<\/a>                                                \n                                                                                        <\/p>\n                                                                                                                        <p class=\"event-link\"><a class=\"button\" href=\"https:\/\/teatergarasjen.ticketco.events\/no\/nb\/e\/oktoberdans_2024__proeverommet\" target=\"_blank\">Buy a ticket<\/a><\/p>\n                                                                            <\/div>\n                                <\/div>\n                            <\/li>\n                                                <\/ul>\n                   \n                <\/div>\n                            <\/div>\n            <div class=\"event-accessability start-1 end-12\">\n                <a class=\"button rounded accessability\" href=\"\/ditt-besok\/tilgjengelighet\/\">Accessibility<\/a>\n                                   \n                    <span>Accessible with wheelchair<\/span>\n                                   \n                    <span>No blackout<\/span>\n                                   \n                    <span>No stage smoke or scents<\/span>\n                                   \n                    <span>No strobe lights<\/span>\n                                   \n                    <span>Seated or seating options<\/span>\n                                   \n                    <span>With English text\/speech<\/span>\n                                   \n                    <span>With Norwegian text\/speech<\/span>\n                            <\/div>\n        <\/div>\n    <\/section>\n\n\n\n\n    <section class=\"text-content section-padding-none transparent\">\n        <div class=\"grid-12 wrapper rg-50 rg-s-20 side-padding\">\n                                                    <div class=\"start-2 end-11 start-s-1 end-s-12 grid rg-20 standard\"><div class=\"start-2 end-6 start-s-1 end-s-12 grid rg-20 standard acs\">\n<p style=\"text-align: left;\">Pr\u00f8verommet is an autonomous programme that has been running at BIT Teatergarasjen for over 25 years, popping up at different venues throughout the seasons. It\u2019s a space to try out new artistic material in front of an audience, using any medium: dance, theatre, poetry, visual art, music\u2026 This event will be no exception except that the festival edition always brings extra energy! Expect a social evening with short presentations, back-to-back, from artists with different experiences and disciplines.<\/p>\n<h3 style=\"text-align: center;\">Programme<\/h3>\n<p style=\"text-align: center;\">Maria Victoria H\u00f8vring H\u00f8eg (dance, scenography, sound)<br \/>\nOtto &amp; Uma Ramstad (dance)<br \/>\nMarta Kosieradzka (dance and drawing)<br \/>\nSara Abbasnejad (film)<br \/>\nYelena Arakelow (dance)<br \/>\nBeate Poikane (scenography and sound)<\/p>\n<\/div>\n<\/div>\n                                                <\/div>\n    <\/section>\n\n\n\n\n    <section class=\"accordion section-padding\">\n                    <ul class=\"accordion wrapper full grid rg-10\">\n                            <li class=\"item wrapper full grid-12 rg-0\">\n                    <button class=\"title grid-12 start-3 end-10 start-s-2 ens-s-11\">\n                        <div class=\"start-1 end-12 grid-12 wrapper rg-30\">\n                            <div class=\"start-1 end-12\">\n                                More about the artists and their projects                            <\/div>\n                        <\/div>\n                    <\/button>\n                    <div class=\"content start-3 end-10  start-s-2 ens-s-11 grid\">\n                        <div class=\"grid-12 wrapper\">\n                            <div class=\"content-block start-1 end-12 grid-12\">\n                                                                    <div class=\"start-1 end-12 grid rg-15\">\n                                        <h3>Maria Victoria H\u00f8vring H\u00f8eg<\/h3>\n<p>Lilla sol (eng: Purple sun) is a dance performance made for hearing impaired, deaf and hearing children, with focus on the sensorial. The performance uses sign language, vibrations, sound and tactile objects. For this work-in-progress showing at Pr\u00f8verommet, all are welcome to attend.<\/p>\n<p>Concept, choreography and scenography: Maria Victoria H\u00f8vring H\u00f8eg<br \/>\nDance and cocreator: Rita Maria Mu\u00f1oz Farias<br \/>\nSound and vibrations: Tijs Ham<br \/>\nLightdesign: Thomas Bruvik<\/p>\n<p>Bio: Maria Victoria H\u00f8vring H\u00f8eg is a trained scenographer from Oslo Academy of the Arts and Norwegian Theatre Academy and holds an MFA and BFA in Fine Art from Valand Academy in Gothenburg and The Art Academy in Bergen. She is interested in an interdisciplinary approach, as well as working with materiality. She lives and works in Bergen. <a href=\"https:\/\/mariavictoriahoeg.com\/\">mariavictoriahoeg.com<\/a><\/p>\n<h3>Otto &amp; Uma Ramstad<\/h3>\n<p>Circling the Line is a continuation of Otto Ramstad\u2019s research from his 2019 work Lineage. With artistic genealogical research as a backdrop, he and his daughter Uma will move from looking at the past in the present to looking from the present to the future. What passes between generations? Between countries? What lands in our bodies? How have our embodied relationships to the ideas of \u2018land\u2019 and \u2018nature\u2019 transformed through time?\u00a0Otto and Uma work together with family lineage and extend this notion of family to ecosystems and mother earth to connect between people foundational levels. We investigate creative and embodied ways of processing what it is to be a human being in this rapidly changing time, imagining our personal stories are portals into universal conditions of being connected to each other across time and through difference.<\/p>\n<p>Bio: Otto Ramstad (b.1975, Minneapolis), is a dance artist who works with movement research to create performances, video work and installations for theaters, galleries, museums and different site and context specific encounters. For twenty years he has been collaborating with Olive Bieringa as BodyCartography Project (Olive Bieringa is a guest director for this performance). He has been artist in residence at K3 Hamburg; Walker Art Center, Minneapolis and the Teknisk Museum, Oslo. He has created commissioned works for Lyon Opera Ballet, Touch Compass, New Zealand and PS122, NYC, amongst others. He has danced in the works of Mia Habib, DD Dorvillier, Miguel Gutierrez, Sara Shelton Mann, and Kitt Johnson. <a href=\"https:\/\/bodycartography.org\/\">bodycartography.org<\/a><\/p>\n<p>Uma Rabbit Bieringa Ramstad (b. 2011, Minneapolis),\u00a0attends Rudolf Steinerskolen in Oslo and studies singing and electric guitar. They have performed with Tekstlab, Rom for Dans Ung and as part of Resisting Extinction for BodyCartography Project. They are also a visual artist and story creator.<\/p>\n<h3>Marta Kosieradzka<\/h3>\n<p>Material Landscapes of Impermanence\u00a0is an interdisciplinary project investigating the ephemeral nature of dance. The aim of the choreographic material, drawings and sounds is to create a coherent universe where these elements are in dialog with each other, questioning the relation between the material and immaterial, and the hierarchy between different art forms based on their permanence. The idea for this project was born out of a deep need to define what is the relationship between dance, which is considered to be a perishing art, to materiality and its corporeal nature, as well to the world of thoughts, dreams and memories that constitute the conceptual reality we live in.<\/p>\n<p>Dance, choreography, drawings : Marta Kosieradzka<br \/>\nMusic: Thorvald Bugge Helle<br \/>\nCostume: Magdalena Mikalsen<\/p>\n<p>Bio: Marta Kosieradzka \u00a0is a dance and visual artist originally from Warsaw, Poland, living in Oslo. She graduated from European Academy of Arts in Warsaw (MA in Fine Arts), Artesis Royal Conservatory in Antwerp (BA in Dance) and recently from MA in Dance at Oslo National Academy of Arts. For many years she has been working as a freelance dancer, choreographer, and teacher and actively participates in an international contemporary dance scene, both as a performer and performance maker. Her interest is in the body as a source of knowledge about the world and the poetic potential of movement, as well as the intersections between visual arts and dance. <a href=\"https:\/\/www.instagram.com\/marta.kosieradzka.dance\/\">@marta.kosieradzka.dance<\/a><\/p>\n<h3>Sara Abbasnejad<\/h3>\n<p>In this ongoing project, Sara Abbasnejad examines the Zar ritual in Abadan, a city deeply shaped by its history as a center of the oil industry. Focusing on two women, Yuma and her daughter Jamileh, the project traces the evolution of this healing ritual from an embodied practice, involving music, dance, and spiritual ceremonies led by Yuma, to a more poetic and metaphoric form with Jamileh. Framed by Abadan&#8217;s transformation through its oil-rich history, this transformation mirrors the broader shifts in socio-economic and cultural life. Sara\u2019s exploration combines archival research and personal histories to reimagine Abadan&#8217;s oil-influenced narrative through the lives of its women.<\/p>\n<p>Bio: Sara Abbasnejad is an Iranian visual artist based in Norway, with a focus on photography and archives. She has completed her master&#8217;s in fine arts in Milan and Oslo, and her work often explores themes of identity and the lives of women in marginalized communities. She has exhibited her work across Europe and Iran, with projects that delve into both personal and collective histories, particularly within the context of oil and its impact on society. <a href=\"https:\/\/sara-abbasnejad.com\/en\">sara-abbasnejad.com<\/a><\/p>\n<h3>Yelena Arakelow<\/h3>\n<p>About the work <em>Crocodile, I like the way my nails look at me<\/em><br \/>\nthe sticky strength of muscles glued throughout<br \/>\nthe muscles work juice for juice<br \/>\ncrocodile tears running down my spine<\/p>\n<p>Dare I speak thoughts of wilderness passing like shivers of crocodiles calling above the surface water. Above the surface water, I wonder how can I let time pass slower, slower I can sink in sweat dripping past the concrete gasp. A gasp of details I wonder. Is the wild body the body I have not tamed? Tame I tough for others\u2019s sake. shake. shake thou shall not rest. rest when thou shall shake. Warm are my cheeks, cold my feet. Heavy lies the head of tears in between a gasp of sweat beneath my nails.<\/p>\n<p>In a world full of capitalist crocodiles it\u2019s time for an asscrack dance. This dance reveals asscracks, likes innocent nudity, loves thirsty water bottles and cares for unconventional shaking. Today\u2019s performance of <em>Crocodile, I like the way my nails look at me<\/em> showcases an exploration of the <em>Asscrack Dance Score<\/em> which is part of Yelena\u2019s MA project. The score is raw, sweaty, somatic and thirsty.<\/p>\n<p>Score: Yelena Arakelow<br \/>\nPerformance: Sigrid Marie Kittelsaa Vesaas, Sunniva Moen R\u00f8rvik and Yelena Arakelow<br \/>\nDuration: 14 Minutes<br \/>\nMusic: DJ set by \u00c1sa Kolla \/ The Clubkid_Reykjavik<\/p>\n<p>Bio: Yelena Arakelow is from Z\u00fcrich, Switzerland, has been based in Reykjavik, Iceland for the past nine years and is currently studying MA Dance at KHiO. She works with dance improvisation and is invested in the unfolding of attention, the erotic and the intimacy of dwelling in performative states. <a href=\"https:\/\/yelenaarakelow.com\/\">yelenaarakelow.com<\/a><\/p>\n<h3>Beate Poik\u0101ne<\/h3>\n<p>Snail Highway is an artistic exploration extending from Air Reservoir: a dystopian poem (2024 Homo Novus).\u00a0Here Beate dwells into a chapter devoted to\u00a0snails, it is a playfull suggestioon\u00a0to imagine a different sensory mapping of the world and perception of speed, while touching upon human-bodied limitations to\u00a0feel along with our other soft-bodied companions.\u00a0Beate is working with a site-sensitive method for object and sound based dramaturgy, through small scale scenography and spatial sound.\u00a0Snail Highway was initially developed in Metropolis, Copenhagen.<\/p>\n<p>BIO: Beate Poik\u0101ne (1997) is Latvian visual artist, theatre-maker, and scenographer. Her artistic explorations manifest in various forms at the intersection of visual art and contemporary theatre, creating performances and self-performing environments. In her work she explores how imagination relates to the experience of space, investigating how fictional worlds are interlinked with the perception of the physical environments. Her recent interest is speculative storytelling, with a mindset of worldling, her works are in conversation with non-human performers, object agency and shifting hierarchies of theatre elements. For her, spaces and sequences of sculptural objects function as narrating tools, often becoming the compositional framework for developing a concept. Beate is currently pursuing an MA in Performing Arts at Stockholm University of the Arts. She holds an MA in scenography and BA in Visual Communication from the Art Academy of Latvia. As part of her studies she attended the Performance and Time-based program at The Art Academy in Bergen. <a href=\"https:\/\/beate.poikane.com\/\">beate.poikane.com<\/a><\/p>\n                                    <\/div>\n                                                            <\/div>\n                                                    <\/div>\n                    <\/div>\n                    \n                <\/li>\n                        <\/ul>\n              \n    <\/section>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":1743,"template":"","event_category":[72,108],"event_venue":[81],"accessibility":[101,98,99,80,90,100,102],"class_list":["post-1744","program","type-program","status-publish","has-post-thumbnail","hentry","event_category-oktoberdans2024-en","event_category-proverommet-en","event_venue-hordaland-kunstsenter-en","accessibility-accessible-with-wheelchair","accessibility-no-blackout","accessibility-no-stage-smoke-or-scents","accessibility-no-strobe-lights","accessibility-seated","accessibility-with-english-text-speech","accessibility-with-norwegian-text-speech"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.3 - 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